Summary:
"This is the only modern stage-history of its kind, and a book for every Shakespeare-lover. It tells the story of the plays on the English stage - four hundred years of dramatic history, from the vital, competitive theatre of Shakespeare's own lifetime to the wealth of interpretations, classical to experimental, of the present day." "It is a story of constant rediscovery, as the fashions, intuitions, and politics of each age reinterpreted the plays' meanings - and often even their plots. Actresses stepped into the female roles written originally for boy actors; and the theatre itself evolved, from open-air Elizabethan stages like the Rose and the Globe to the proscenium theatre, grand spectacle, and the whole panoply of modern lighting and staging equipment. Written by a team of experts, the book illuminates both the plays and the men and women who staged, adapted, and performed them: Burbage, who was Shakespeare's Richard III, Henry V, and Hamlet; Mary Betterton, in 1664 the first woman to play Lady Macbeth; Garrick, whose lifelong championing of Shakespeare is largely responsible for his elevation to the status of National Poet; and the famous actor-managers who produced the plays on an increasingly grand scale throughout the nineteenth century - Kemble, Kean, Macready, Irving." "Generous space is given to the great figures of twentieth-century theatre - Donald Wolfit, Lilian Baylis, John Gielgud, Laurence Olivier, Peggy Ashcroft, Ralph Richardson, Tyrone Guthrie, Peter Brook - and to the companies and actor-directors of today, from Cheek by Jowl and the Royal Shakespeare Company to Michael Bogdanov and Kenneth Branagh. A special chapter by Dame Judi Dench provides a unique actor's perspective; and the book comes right up to date with accounts of contemporary directors' theatre, including productions by Deborah Warner and Sam Mendes." "Over a hundred illustrations, and a large cast of actors, audiences, and reviewers, bring to life the key productions and developments described in each chapter, in a dramatic story which is at once history, tragedy, and comedy!"--BOOK JACKET.
Notes:
Includes bibliographical references (p. 231-245) and index.
Contents:
- Introduction / Jonathan Bate
- 1. Shakespeare's Elizabethan Stages / R. A. Foakes
- 2. The King's Men and After / Martin Wiggins
- 3. Improving on the Original: Actresses and Adaptations / Michael Dobson
- 4. The Age of Garrick / Peter Holland
- 5. The Romantic Stage / Jonathan Bate
- 6. Actor-Managers and the Spectacular / Russell Jackson
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- 7. European Cross-Currents: Ibsen and Brecht / Inga-Stina Ewbank
- 8. From the Old Vic to Gielgud and Olivier / Anthony Davies
- 9. Shakespeare and the Public Purse / Peter Thomson
- 10. Directors' Shakespeare / Robert Smallwood
- 11. A Career in Shakespeare / Judi Dench
- 12. Shakespeare in Opposition: From the 1950s to the 1990s / Russell Jackson.
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