LDR	cam 22 7a 4500
001	1673249
005	20121220114012.0
008	111209s2012 enk e bf 001 0 eng
020	‡a9781444171167 (pbk.) :‡c$16.00
020	‡a144417116X (pbk.)
035	‡a(OCoLC)818046450
035	‡a1658657
035	‡a(OCoLC)ocn818046450
035	‡a1658657
040	‡aAU@‡beng‡cAU@‡dOCLCO‡dOCLCQ‡dIUK
099	‡a808.042‡aW432h
100	‡aWeinman, Irving.
245	‡aHow to write great dialogue in fiction /‡cIrving Weinman.
260	‡aLondon, UK :‡bHodder Education,‡c2012.
300	‡a207 p. ;‡c20 cm.
490	‡aTeach yourself
504	‡aIncludes bibliographical references and index.
520	‡aCommissioning editors say good dialogue is one of the first things that make a book stand out from the crowd - and similarly, that clunky direct speech is one of the first things that will send a book straight from the slushpile to the rejections bin.
521	‡aTechnical/Vocational/TAFE, General.
650	‡aWriting‡vHandbooks, manuals, etc.
650	‡aWriting‡xTechnique.
650	‡aDialogue‡vHandbooks, manuals, etc.
695	‡aREFERENCE / Writing Skills‡bREF026000
695	‡aLANGUAGE ARTS & DISCIPLINES / Authorship‡bLAN002000
695	‡aLANGUAGE ARTS & DISCIPLINES / Composition & Creative Writing‡bLAN005000
830	‡aTeach yourself--
852	‡aBB1‡cNon Fiction‡l37‡d808.042‡eW432h‡kIn-Process‡oBB1‡b40000002025171‡f3‡r2‡m1‡y6‡p16.00‡q133166-1‡jPPL‡9Item generated Dec 20 2012 11:40AM
852	‡aCH2‡cNon Fiction‡d808.042‡eW432h‡kIn-Process‡oCH2‡b40000002025189‡f3‡r2‡m1‡y6‡p16.00‡q133166-2‡jPPL‡9Item generated Dec 20 2012 11:40AM
852	‡aJN2‡cNon Fiction‡d808.042‡eW432h‡kIn-Process‡oJN2‡b40000002025197‡f3‡r2‡m1‡y6‡p16.00‡q133166-4‡jPPL‡9Item generated Dec 20 2012 11:40AM
852	‡aME2‡cNon Fiction‡d808.042‡eW432h‡kIn-Process‡oME2‡b40000002025205‡f3‡r2‡m1‡y6‡p16.00‡q133166-3‡jPPL‡9Item generated Dec 20 2012 11:40AM
049	‡aPNXA
936	‡aR-tn