LDR	cam 22 a 4500
001	661918
035	‡aocm69021077
005	20070629132123.0
008	060515s2006 nyua 000 0 eng
010	‡a 2006045592
020	‡a1585425222 (pbk. : acid-free paper) :‡c$13.95
024	‡a9781585425228
029	‡aYDXCP‡b2430419
035	‡aBK0006795876
040	‡aDLC‡cDLC‡dBAKER‡dC#P‡dYDXCP‡dOCLCQ‡dIXA‡dPNX‡dOrLoB-B‡dUtOrBLW
049	‡aPNXA
050	‡aPE1413‡b.N69 2006
099	‡a808.3‡aN86
245	‡aNow write! :‡bfiction writing excercises from today's best writers and teachers /‡cedited by Sherry Ellis.
260	‡aNew York :‡bJeremy P. Tarcher/Penguin,‡cc2006.
300	‡axi, 269 p. :‡bill. ;‡c21 cm.
505	‡tWedding pictures /‡rJayne Anne Phillips -- ‡tThrough the senses /‡rRobert Olen Butler -- ‡tMy pet /‡rAlison Lurie -- ‡tTwo people come out of a building and into a story /‡rAlice Mattison -- ‡tThe seed /‡rAlexander Chee -- ‡tTruthful dare /‡rDiana Abu-Jaber -- ‡tThe photograph /‡rJill McCorkle -- ‡tThe prefab story exercise /‡rRick Hillis -- ‡tThe upside-down bird : hybridizing memory, place, and invention /‡rMaria Flook -- ‡tA map to anywhere /‡rPaul Lisicky -- ‡tStarting with the news /‡rChuck Wachtel -- ‡tWedding cake assignment /‡rDebra Spark -- ‡tA tabula rasa experiment /‡rKatherine A. Vaz -- ‡tCollage /‡rKaren Brennan -- ‡tThe five senses /‡rDan Wakefield -- ‡tBirth of a story in an hour or less /‡rCrystal Wilkinson -- ‡tSurrealism exercise, or thinking outside the box /‡rLaurie Foos -- ‡tOvercoming dry spells /‡rLeslie Schwartz -- ‡tField trip /‡rVirgil Suarez -- ‡tSmushing seed ideas together /‡rDavid Michael Kaplan -- ‡tThe writing exercise : a recipe /‡rKathleen Spivack -- ‡tA story to tell /‡rNina de Gramont -- ‡tFirst-person point of view : imagining and inhabiting character /‡rMaureen McCoy -- ‡tYou-me-I-you in the cafeteria /‡rClyde Edgerton -- ‡tGetting characters' ages right /‡rMartha Cooley -- ‡tWhat are they thinking? : a point-of-view exercise /‡rPaula Morris -- ‡tThird-person narration and "psychic distance" /‡rDaphne Kalotay -- ‡tLook backward, angel /‡rEileen Pollack -- ‡tLet the dead speak : an exercise in first-person narration /‡rLaura Kasischke -- ‡tEmpathy and the creation of character /‡rKay Sloan -- ‡tWhat's under the surface? /‡rMichelle Herman -- ‡tThe interview /‡rLauren Grodstein -- ‡t"Once upon a time" : playing with time in fiction /‡rElizabeth Graver -- ‡tWhy I stole it /‡rRobert Anthony Siegel -- ‡tLanguage portrait /‡rChris Abani -- ‡tPaw through their pockets, rifle through their drawers : a character exercise /‡rRachel Basch -- ‡tMr. Samsa, meet Bartleby /‡rMaxine Chernoff -- ‡tRattlesnake in the drawer /‡rMichelle Brooks -- ‡tA family theme, a family secret /‡rK. L. Cook -- ‡tCharacters in conflict /‡rMichael Datcher -- ‡tThe voyager : write what you don't know : an exercise in (surprising yourself with) character /‡rEdie Meidav -- ‡tGetting dramatic /‡rJoan Silber -- ‡tDeveloping your characters /‡rMary Yukari Waters -- ‡tThe way they do the things they do /‡rLise Haines -- ‡tBraiding time /‡rCai Emmons -- ‡tSnoop 'da dialogue /‡rSteven Schwartz -- ‡tDialogue without words /‡rSands Hall -- ‡tHearing voices /‡rLon Otto -- ‡tDialogue exercise : the non-apology /‡rThomas Fox Averill -- ‡tLevels of dialogue /‡rDouglas Unger -- ‡tFictional building blocks /‡rDan Chaon -- ‡tKeep the engine running /‡rRenee Manfredi -- ‡tThe riff /‡rFred Leebron -- ‡tStoryboard your story /‡rBrent Spencer -- ‡tSticking to the structure /‡rSean Murphy and Tania Casselle -- ‡tWhat am I writing about? : clarifying story ideas through summary /‡rKirby Gann -- ‡tThe richness of resonance /‡rDouglas Bauer -- ‡tSetting in fiction /‡rMargot Livesey -- ‡tThe character of setting /‡rJim Heynen -- ‡tAnimating the inanimate /‡rJoan Leegant -- ‡tLearning to layer /‡rVenise Berry -- ‡tA sense of place /‡rPatricia Powell -- ‡tBe the tree /‡rJohn Smolens -- ‡tA very, very long sentence /‡rGeoffrey Becker -- ‡tMost memorable food : using sensory detail /‡rKaren E. Bender -- ‡tLike water for words : a simile exercise /‡rBret Anthony Johnston -- ‡tFinding a larger truth by turning autobiography into fiction /‡rSusan Vreeland -- ‡tSecrets of the great scene /‡rSheila Kohler -- ‡tHemingway's caroms : descriptive showing and telling /‡rTony Ardizzone -- ‡tHow to own a story /‡rRobert Boswell -- ‡tObject lessons /‡rElizabeth Searle -- ‡tThe Goldilocks method /‡rRosellen Brown -- ‡tBig scenes /‡rSandra Scofield -- ‡tMoving through time : a four-paragraph short short /‡rNancy Reisman -- ‡tUsing the retrospective lens /‡rJoy Passanante -- ‡tWater buddies /‡rAmy Bloom -- ‡tListening to sound to find sense /‡rVictoria Redel --
505	‡tEntrances : building bigger scenes /‡rLynne Barrett -- ‡tThe five second shortcut to writing in the lyric register /‡rSteve Almond -- ‡tMeaning making via metaphor /‡rChristopher Busa -- ‡tSoundtracking your story /‡rChristopher Castellani -- ‡tNegative capability /‡rRobert Cohen -- ‡tSeven drafts in seven days /‡rPorter Shreve -- ‡tMore is more : an exercise in revising your story /‡rAnn Harleman -- ‡tPotholes /‡rBrian Kiteley -- ‡tThe dark matter : twenty issues in novel revision /‡rJonis Agee.
650	‡aEnglish language‡xRhetoric‡vProblems, exercises, etc.
650	‡aCreative writing‡vProblems, exercises, etc.
650	‡aFiction‡xTechnique‡vProblems, exercises, etc.
695	‡aReference / Writing Skills^Language Arts & Disciplines / Authorship^Reference / Problems & Exercises.
700	‡aEllis, Sherry,‡d1950-
898	‡aqNonfiction
898	‡aqBook
898	‡aqEnglish
910	‡aCARL2118850171 ‡d20094565
936	‡asac
949	‡b31730073318953‡c808.3 N86‡hBB1‡lFLOOR5‡mABK‡p13.95‡sC‡w105
949	‡b31730073318987‡c808.3 N86‡hCC2‡lNONFIC‡mABK‡p13.95‡sS‡w16
949	‡b31730073318979‡c808.3 N86‡hCH2‡lFLOOR2‡mABK‡p13.95‡sC‡w44
949	‡b31730073318995‡c808.3 N86‡hIR2‡lNONFIC‡mABK‡p13.95‡sC‡w51
949	‡b31730073319001‡c808.3 N86‡hJN2‡lNONFIC‡mABK‡p13.95‡sS‡w70
949	‡b31730073318961‡c808.3 N86‡hME2‡lNONFIC‡mABK‡p13.95‡sC‡w44
949	‡b31730081136041‡c808.3 N86‡hYU2‡lNONFIC‡mABK‡p13.95‡sS‡w19
994	‡aC0‡bPNX
998	‡aITS181 ITS 20060803072119.0 ITSP Phoenix ‡bLDR509 20070728050009.0 FIX1 Phoenix ‡bLDR509 20061018120053.0 OCLC Phoenix