Displaying the top 100 results that match your query. http://www.phoenixpubliclibrary.org/rssapi.jsp?Re=3295&N=3+3420 http://www.phoenixpubliclibrary.org/record.jsp?R=1009551 http://www.phoenixpubliclibrary.org/record.jsp?R=751274 http://www.phoenixpubliclibrary.org/record.jsp?R=751275 http://www.phoenixpubliclibrary.org/record.jsp?R=667275 http://www.phoenixpubliclibrary.org/record.jsp?R=713290 http://www.phoenixpubliclibrary.org/record.jsp?R=625328 http://www.phoenixpubliclibrary.org/record.jsp?R=626503 http://www.phoenixpubliclibrary.org/record.jsp?R=725552 http://www.phoenixpubliclibrary.org/record.jsp?R=675360 http://www.phoenixpubliclibrary.org/record.jsp?R=574033 Before & After magazine has been making the complex simple for years. Busy business professionals have looked to its founder, publisher, and primary voice, John McWade, for elegant yet sensible direction for graphics ever since the term desktop publishing was coined. In his second book, McWade addresses business essentials such as logos and identities, stationery, newsletters, charts and graphs, maps, and sales materials.--BOOK JACKET. http://www.phoenixpubliclibrary.org/record.jsp?R=631880 http://www.phoenixpubliclibrary.org/record.jsp?R=707496 http://www.phoenixpubliclibrary.org/record.jsp?R=668019 Containing over 200 images from the print and advertising archives of the Charles S. Anderson Design Company in combination with a hilarious text by the legendary Michael J. Nelson, this book is an amazingly rich and sharply funny testament to Americas fascination with cute things. http://www.phoenixpubliclibrary.org/record.jsp?R=626346 http://www.phoenixpubliclibrary.org/record.jsp?R=763539 http://www.phoenixpubliclibrary.org/record.jsp?R=626505 http://www.phoenixpubliclibrary.org/record.jsp?R=551452 http://www.phoenixpubliclibrary.org/record.jsp?R=291730 Letterheads and business cards are staple projects for graphic designers, who are continually searching for fresh ideas. This book presents 116 examples of the freshest from studios around the country and the world -- designs that communicate a strong business identity in creative and cost-efficient ways. The work is presented in four sections, focusing on clever uses of image, type, small budgets, and special production techniques. Each project includes firsthand insight on design concept and production specs. http://www.phoenixpubliclibrary.org/record.jsp?R=282264 Drawing on unfettered access to Disney artists and archives, Finch chronicles every facet of Disney art, including animation, live-action, and theme parks--from Mickeys 1928 debut to the forthcoming Fantasia 2000. 250 illustrations, 150 in color. http://www.phoenixpubliclibrary.org/record.jsp?R=80325 Award-winning graphic designer and filmmaker Arnold Schwartzman has gathered over three hundred examples of exquisitely crafted signs in Designage. Functional as well as decorative, they proclaim a vast array of services, products, and establishments in a variety of styles, ranging from classic Roman, Victorian, and German Gothic to Art Nouveau and Art Deco. They showcase an even wider variety of materials, including metal, tile, glass, neon, paint, wood, stone, and brick.--BOOK JACKET. http://www.phoenixpubliclibrary.org/record.jsp?R=282505 http://www.phoenixpubliclibrary.org/record.jsp?R=248223 http://www.phoenixpubliclibrary.org/record.jsp?R=271308 From Arcadia and Carousel to Six Degrees of Separation, McMullans posters offer a unique view of contemporary American theater. Brought together for the first time in print are thirty-six posters, almost all of them commissioned by New Yorks Lincoln Center Theater, each in a beautiful full-page reproduction and accompanied by numerous studies and related works. Here too are the powerful personalities of the theater world - Wole Soyinka. John Guare, Liv Ullmann, Patti LuPone, and Mike Nichols, among others - in revealing behind-the-scenes accounts by McMullan. McMullan himself gives the story behind each poster featured in the book - why it worked or why he was unsatisfied, who loved it and who wanted it changed. In addition, many sketches, reference photographs, and alternative versions provide a fascinating glimpse into the artists creative process.--BOOK JACKET. http://www.phoenixpubliclibrary.org/record.jsp?R=254831 Trademarks of the 60s & 70s documents this exciting era in graphic design history with a compilation of trademarks that lends insight into American popular culture, illustrating the growing presence and sophistication of corporations in the postwar era and painting a portrait of a country newly grounded in an urban world of consumer goods and services. Of interest to anyone nostalgic for the recent past, these classic designs are also a useful resource for commercial artists and graphic designers seeking creative inspiration.--BOOK JACKET. http://www.phoenixpubliclibrary.org/record.jsp?R=134939 Fascinating insights into the lives and works of 82 top artists elected to the Illustrators Hall of Fame make this an inspiring reference for professionals, students, collectors, art historians, and appreciators of fine commercial art. From illustrators such as N.C. Wyeth to Charles Dana Gibson to Thomas Nast, profiles and major examples of each artists work give a sweeping overview of the art of illustration. 450 color illustrations. http://www.phoenixpubliclibrary.org/record.jsp?R=275163 A fully illustrated, step-by-step guide to more than 50 illustration techniques, from watercolors and pen-and-ink to collage and wood engraving offers professional guidance on all aspects of illustration, from mastering basic techniques to developing an eye-catching personal style; provides information on getting the best reproduction results for your illustrations and tips on time-saving methods; and includes a gallery of more than 70 finished works from leading contemporary illustrators.--BOOK JACKET. http://www.phoenixpubliclibrary.org/record.jsp?R=244851 In the thirties and forties a new breed of comic book hit the stands - spiffy miniature hardcover editions known as Big Little Books. Now valuable collectors items, Big Little Books are prized for their impeccable design and classic illustrations. The Big Book of Big Little Books features page after page of jacket art and illustrations from rare Big Little Books, and traces the history of their most sensational stars, including Buck Rogers, Dick Tracy, Betty Boop, Alley Oop, and Mickey Mouse. Covering all the genres, from detective stories to science fiction, The Big Book of Big Little Books is a special treat for artists, designers, nostalgia buffs, and all who admire vintage comics.--BOOK JACKET. http://www.phoenixpubliclibrary.org/record.jsp?R=245089 In this book, Ellen Mazur Thomson examines for the first time the early development of the graphic design profession. It has been thought that graphic design emerged as a profession only when European modernism arrived in America in the 1930s, yet Thomson shows that the practice of graphic design began much earlier. Shortly after the Civil War, when the mechanization of printing and reproduction technology transformed mass communication, new design practices emerged. Thomson investigates the development of these practices from 1870 to 1920, a time when designers came to recognize common interests and create for themselves a professional identity. What did the earliest designers do, and how did they learn to do it? What did they call themselves? How did they organize themselves and their work? Drawing on an array of original period documents, the author explores design activities in the printing, typefounding, advertising, and publishing industries. She considers the role of labor unions, advertising agencies, schools of art and design, and professional associations; the writings and ideas of Henry Lewis Johnson and William Addison Dwiggins; and the impact of the values of the Aesthetic Movement and the Arts and Crafts Movement.--BOOK JACKET. http://www.phoenixpubliclibrary.org/record.jsp?R=132764 http://www.phoenixpubliclibrary.org/record.jsp?R=195038 Born in the Mississippi Delta and universally recognized among the great contributions to 20th-century culture, the blues has become one of the most popular and beloved musical forms in the world. This book features nearly 250 of the coolest blues album covers from the 50s and 60s, showcasing some of the greatest musical luminaries of our time. 240 color illustrations. http://www.phoenixpubliclibrary.org/record.jsp?R=136288 One of the worlds leading graphic designers. Paul Rand has had a profound influence on the design profession: his pioneering work in the fields of advertising design and typography has helped elevate commercial art to one of the fine arts. In this lively and visually arresting book. Rand awakens readers to the lessons of the cave paintings of Lascaux - that art is an intuitive, autonomous, and timeless activity - and he shows how this is conveyed in works of art from the Leaning Tower of Pisa to a painting by Cezanne. African sculpture, a Gorgan pitcher, and a park in Brooklyn, all of which are aesthetically pleasing no matter what their era, place, purpose, style, or genre. Rand defines aesthetics and the aesthetic experience, in particular as it affects the designer, and he helps members of his profession articulate and understand design problems by linking principles of aesthetics to the practice of design. Illustrating his ideas with examples of his own stunning graphic work, as well as an eclectic collection of masterpieces, Rand discusses such topics as: the relation between art and business: the presentation of design ideas and sketches to prospective clients: the debate over typographic style; and the aesthetics of combinatorial geometry as applied to the grid. His book will engage and enlighten anyone interested in the practice or theory of graphic design.--BOOK JACKET. http://www.phoenixpubliclibrary.org/record.jsp?R=180888 In the first study of its kind, Michele H. Bogart explores in unprecedented detail the world of commercial art, its illustrators, publishers, art directors, photographers, and painters. She maps out the border between art and commerce and expands our picture of artistic culture and practice in the twentieth century with unexpected pairings of Norman Rockwell and Andy Warhol, J.C. Leyendecker and Georgia OKeeffe, the Metropolitan Museum of Art and Pepsi-Cola, the avant garde and the Famous Artists Schools, Inc. From the turn of the century through the 1950s, the explosive growth of popular magazines and the national advertising that supported them offered artists new sources of income and new opportunities for reaching huge audiences. Bogart shows how this change in the marketplace forced a rethinking of the purpose of artistic practice. She examines how Howard Pyle, Charles Dana Gibson, Norman Rockwell, and other illustrators understood their identities. She looks at billboard production; at the growing schism between art posters and billboard advertisements; at the new roles of the art director; at the emergence of photography as the dominant advertising medium; and at the success of painters in producing fine art for advertising during the 1930s and 1940s.--BOOK JACKET. http://www.phoenixpubliclibrary.org/record.jsp?R=179824 Before he began silk-screening soup cans, Andy Warhol produced thousands of whimsical line illustrations. This book, culled from the archives of the Andy Warhol Foundation for the Visual Arts, showcases thirty-seven holiday-inspired drawings in an irresistible small-format edition. Merry elves, gift-laden Santas, and bedecked Christmas trees accompany playful and witty quotations from Warhols books and diaries, such as A lot of traditions like this are carried on because it takes them out of the ordinary world and puts them into something...special. Beautifully designed and inescapably fun, this book is the perfect holiday offering. http://www.phoenixpubliclibrary.org/record.jsp?R=178690 J.R.R. Tolkien (1892-1973), renowned author of The Hobbit, The Lord of the Rings, and The Silmarillion, was an artist in pictures as well as in words. Though he often remarked that he had no talent for drawing, his art has charmed his readers and has been exhibited to large and appreciative audiences. In fact, his talent was far more than he admitted, and his sense of design was natural and keen. This book explores Tolkiens art at length, from his childhood paintings and drawings to his final sketches. At its heart are his illustrations for his books, especially his tales of Middle-earth. Also examined are the pictures Tolkien made for his children (notably in his Father Christmas letters and for the story of Mr. Bliss), his expressive calligraphy, his love of decoration, and his contributions to the typography and design of his books. J.R.R. Tolkien, Artist and Illustrator includes 200 reproductions, many in colour and over half published for the first time.--BOOK JACKET. http://www.phoenixpubliclibrary.org/record.jsp?R=161591 A classic that has sold more than 500,000 copies since it was first published in 1973, The Art of Walt Disney has never been revised or updated until now. Seven completely new chapters (fully half the text and illustrations in the book) carry the story forward, chronicling the dramatic resurgence of the company under new management, which has seen the release of the three most successful animated films ever made - Beauty and the Beast, Aladdin, and The Lion King. This new edition also covers live-action movie production and the growth of the Disney theme parks, with the addition of EPCOT Center, Disney-MGM Studios, Tokyo Disneyland, and Disneyland Paris. To prepare this new edition, author Christopher Finch was given unprecedented access to Disney, interviewing scores of individuals, from chairman Michael Eisner and other senior executives to animators and Imagineers, as the artists who design the theme parks are called. The book is profusely illustrated, including concept art, background paintings, and stills from every important animation project, beginning with Mickeys 1928 debut in Steamboat Willie and including works in progress, such as the feature The Hunchback of Notre Dame; production shots and stills from live-action movies; and an enormous variety of views of the theme parks around the world, with close-ups of innovative rides and attractions. Art for the book was carefully selected in consultation with the artists and animators themselves.--BOOK JACKET. http://www.phoenixpubliclibrary.org/record.jsp?R=148265 They probably didnt tell you in art school, but it takes a great deal more than talent to succeed in a career in illustration. Illustration is a business, and like any other business, professionals must learn to skillfully navigate their way through the marketplace in order to survive and thrive. The Business of Illustration provides information not available elsewhere, guiding the wannabe or even more experienced illustrator through the process of setting up a business, creating effective methods of self-promotion, finding a rep - or perhaps even choosing to operate without one. Best of all, no three-piece suits are required. Full of tricks of the trade too often learned only after getting burned, The Business of Illustration presents a broad picture of what it takes to protect your intellectual property while also making your talent and passion into a viable business. Interviews with successful illustrators, such as Brad Holland, Anita Kunz and Henrik Drescher, and well-established artist representatives, like Vicki Morgan and Richard Solomon, put the reader on the inside track. Examples of work from the many different genres of illustration show diverse, yet equally successful approaches to editorial work, corporate advertising, book publishing, cds and records, medical, packaging, comics and still more. Appropriate fees for work in various areas of the business are also listed at the end of the book.--BOOK JACKET. http://www.phoenixpubliclibrary.org/record.jsp?R=93633 http://www.phoenixpubliclibrary.org/record.jsp?R=79171 Here are more than 3,500 covers from the golden age of American illustration: J. C. Leyendeckers popular holiday covers, including the perennial New Years baby; evocations of the great outdoors, particularly the American West, by N. C. Wyeth, Oliver Kemp, E. F. Wittmack, and Paul Bransom; portraits of beautiful women by talents as diverse as Harrison Fisher, W. Haskell Coffin, Neysa McMein, Penrhyn Stanlaws, Philip Boileau, and Clarence Underwood. Here also are Norman Rockwells numerous beloved images: the barbershop quartet rehearsing - where else? - at the barbershop; the disheveled, proudly beaming schoolgirl with a black eye outside the principals office; the small boy whos just discovered a Santa Claus costume in a bureau drawer; Rockwells series portraits: days in the lives of a small boy and a small girl, as well as the sequence called Gossip, and his portraits of presidential candidates and, later, other celebrities. Jan Cohn, who has written extensively about the Saturday Evening Post, illuminates the covers in a cogent and entertaining text. While tracing the evolution of the magazine, Ms. Cohn singles out the best-loved and the most important covers, discussing the illustrators styles and influences, and placing each image in its proper historical context. It is interesting to watch the twentieth century unfold: World War I gives way to bobbed flappers in the twenties; the thirties bow under the Great Depression, followed by World War II; the end of the war leads to the family-centered, leisure-oriented fifties, yielding to the turbulent sixties.--BOOK JACKET. http://www.phoenixpubliclibrary.org/record.jsp?R=276680 This comprehensive reference is the companion volume to The Dictionary of 19th Century British Book Illustrators by Simon Houfe. Contains information on some 1,000 British illustrators. http://www.phoenixpubliclibrary.org/record.jsp?R=180126 Picturesque America was a conspicuous presence in the popular culture of the United States in the post-Civil War years. First published as a magazine series in Appletons Journal, then as a subscription book, in parts, from 1872 to 1874 it reached a huge audience. Its voluminous text and over 900 pictures represented the first comprehensive celebration of the entire continental nation. By testifying to the variety, uniqueness and potential wealth of the American landscape and the advanced civilization of its cities, Picturesque America laid the foundation for a resurgence of nationalism rooted in the homeland itself, rather than in institutions of democracy as would have been the case earlier in the century. This study is the first to analyze in detail the images and messages it conveyed and why and how it was produced, paying special attention to the misconceptions surrounding William Cullen Bryants role as editor, the contributions of particular illustrators of the day, and the books production history.--BOOK JACKET. http://www.phoenixpubliclibrary.org/record.jsp?R=261601 This study deals with the early works of the influential illustrator, Sir John Tenniel, and with the ways in which the great debate of the 1840s in favor of the creation of an English school of history painting manifested itself in his art. Indeed, the historicist revival would be the driving force behind virtually all of his artwork throughout the whole of his life, including the work by which he is best known, his illustrations for Lewis Carrolls Alice in Wonderland and Through the Looking Glass. But Tenniels long career was also a struggle between his responsiveness to popular taste and his sympathy with views on art that condemned that taste and sought to reform it. He was drawn to the Bohemian cliques of the 1840s, which were instrumental in the attempt to resurrect a school of English history painting. He played a relatively successful and prominent role in the focus of that movement, the decoration of the new Houses of Parliament. That project and his work for it raise a number of serious questions of ongoing significance - concerning the need for state patronage of art, the possibility of imposing foreign forms upon an unresponsive public, and the plausibility of the idea that art can effect social change. Many believed that the state machinery that had become necessary for the effective government of industrial culture was also necessary to ensure the survival of a vigorous art reflecting the values of that culture. Tenniels career would seem to prove the opposite hypothesis. After Westminster, Tenniel would transfer the cold, hierarchical imagery that he evolved there to his work as the principal political cartoonist for Punch. He held the position for nearly forty years, and he developed a style of imperial allegory that brought him immense respect and exerted an enormous influence over political cartooning at home and abroad until well into the twentieth century. But against that didactic paternalism was a deep-rooted responsiveness to his middle-class audience and its culture. An avid amateur actor, Tenniel incorporated strong gestural and theatrical elements into his work. Above all he drew upon the conventions of visual satire. Reform theory was based on the creation of social change, and so tended to see the past as separate from the present. Satire acted as the restraining social conscience against political excess, and against change. In his satires of the medieval revival in Punch in the 1850s, Tenniel deyeloped a purely visual, gestural, historicist burlesque that parodied the revival but was also a genuine adaptation of historical forms to a contemporary context. He created a traditionalistic cosmos in which the past permeated and enriched the present - culminating in the great high satire of his Alice work; a triumph of English common sense.--BOOK JACKET. http://www.phoenixpubliclibrary.org/record.jsp?R=265257 Childrens culture has become a boom industry, generating tons of accoutrements from toys to school supplies to interactive computer programs. To be successful, such materials must be designed in a way that speaks directly to a young audience yet pleases - and doesnt alienate - adults. That said, what is good design for children? What criteria does a designer follow in creating products that will appeal to kids without compromising on quality or aesthetics? Steven Heller and Steven Guarnaccia address these and many other related questions in Designing for Children, the first and only book devoted to an increasingly important subject. Heller and Guarnaccia analyze and celebrate recent advances in child-oriented design and show examples of new work that represent the growing sophistication in this arena. The authors look at hundreds of case studies in which graphics play a major role, specifically in the realms of television, video, and radio; museums and environments; novelties and gifts; toys and games; newspapers and magazines; computers and electronics; theater and performances; and books and posters. Packaging and promotional materials for the various products and activities are also discussed. In response to the burgeoning childrens market, clients like Sony, Nickelodeon, Esprit/Kids, Hasbro, Stride Rite, Levi Strauss, Hallmark, Pentech, The Nature Company, Mattel, Milton Bradley, Broderbund, and numerous publishers are increasingly employing the talents of innovative designers with an eye toward reaching a young audience. Today among their ranks are such well-known and highly respected graphic artists as Seymour Chwast, Maira Kalman, April Greiman, Paula Scher, and Richard McGuire, many of whose designs for children are featured here. Designing for Children is an important book for designers of all kinds, but its also of interest to parents seeking well-made, thoughtfully designed alternatives to standard mass-market toys, books, and other childhood fare for their kids.--BOOK JACKET. http://www.phoenixpubliclibrary.org/record.jsp?R=100884 http://www.phoenixpubliclibrary.org/record.jsp?R=255511 http://www.phoenixpubliclibrary.org/record.jsp?R=76880 http://www.phoenixpubliclibrary.org/record.jsp?R=220427 http://www.phoenixpubliclibrary.org/record.jsp?R=187480 Honore Daumier (1808-1879) is best known as the nimble caricaturist of French politics and the habits of the bourgeoisie. The nearly 4,000 lithographs he created for the Parisian press have long been appreciated as magic windows on the perils and follies of everyday life and continue to be widely admired. However, it is in his rarer and less famous drawings and watercolors, the private work he made for himself and a very limited audience, that Daumier most clearly emerges as an artist of exceptional genius. Indeed, it was on the strength of his skill as a draughtsman that Baudelaire declared Daumier the equal of Ingres and Delacroix. This volume accompanies an exhibition at the Stadel Museum, Frankfurt, and The Metropolitan Museum of Art, New York, offering the most extensive display of Daumiers drawings since the Paris retrospectives of 1901 and 1934. Featuring about 150 works from twenty of the worlds foremost museums and from private collections, it includes casual sketches produced by the artist to vent his restless imagination as well as many of the highly finished watercolors he designed as formal presentations of his art. By combining Daumiers drawings with selected examples of his paintings, prints, and bronzes, this book traces the evolution of the artists succinct and emphatically expressive style from its roots in the European tradition exemplified by Rembrandt, Rubens, and Fragonard to its modern manifestations in the works of Degas, Cezanne, Toulouse-Lautrec, and Beckmann. In the course of his long and productive career Daumier returned again and again to favorite themes, often after considerable lapses of time. Thus the works here are grouped by their subject matter into six sections: studies of individual figures and faces; narrative scenes inspired by history or literature; views of contemporary urban and domestic life; dramatic portrayals of lawyers in court; depictions of street performers; and episodes in the wanderings of Don Quixote and Sancho Panza. Five essays, in which the exhibitions curators are joined by two other scholars of nineteenth-century art history, investigate particular aspects of Daumiers work as a draughtsman: the character of his fluid, energetic style; the complex iconography and structure of his drawings; the essentially sculptural nature of his art; his effective mastery of pose and gesture; and his personal view of the artists role in society.--BOOK JACKET. http://www.phoenixpubliclibrary.org/record.jsp?R=573137 http://www.phoenixpubliclibrary.org/record.jsp?R=161186 http://www.phoenixpubliclibrary.org/record.jsp?R=278754 http://www.phoenixpubliclibrary.org/record.jsp?R=171921 http://www.phoenixpubliclibrary.org/record.jsp?R=161188 http://www.phoenixpubliclibrary.org/record.jsp?R=135874 http://www.phoenixpubliclibrary.org/record.jsp?R=38683 http://www.phoenixpubliclibrary.org/record.jsp?R=292553 http://www.phoenixpubliclibrary.org/record.jsp?R=132207 http://www.phoenixpubliclibrary.org/record.jsp?R=136385 http://www.phoenixpubliclibrary.org/record.jsp?R=124952 http://www.phoenixpubliclibrary.org/record.jsp?R=278753 http://www.phoenixpubliclibrary.org/record.jsp?R=43993 http://www.phoenixpubliclibrary.org/record.jsp?R=150817 http://www.phoenixpubliclibrary.org/record.jsp?R=43772 http://www.phoenixpubliclibrary.org/record.jsp?R=236022 http://www.phoenixpubliclibrary.org/record.jsp?R=261186 http://www.phoenixpubliclibrary.org/record.jsp?R=175258 http://www.phoenixpubliclibrary.org/record.jsp?R=293649 http://www.phoenixpubliclibrary.org/record.jsp?R=178823 http://www.phoenixpubliclibrary.org/record.jsp?R=140862 http://www.phoenixpubliclibrary.org/record.jsp?R=182990 http://www.phoenixpubliclibrary.org/record.jsp?R=171759 http://www.phoenixpubliclibrary.org/record.jsp?R=144677 http://www.phoenixpubliclibrary.org/record.jsp?R=255200 http://www.phoenixpubliclibrary.org/record.jsp?R=172308 http://www.phoenixpubliclibrary.org/record.jsp?R=70901 http://www.phoenixpubliclibrary.org/record.jsp?R=247560 http://www.phoenixpubliclibrary.org/record.jsp?R=157063 http://www.phoenixpubliclibrary.org/record.jsp?R=159241 http://www.phoenixpubliclibrary.org/record.jsp?R=226482 http://www.phoenixpubliclibrary.org/record.jsp?R=291946 http://www.phoenixpubliclibrary.org/record.jsp?R=173448 http://www.phoenixpubliclibrary.org/record.jsp?R=159699 http://www.phoenixpubliclibrary.org/record.jsp?R=172489 http://www.phoenixpubliclibrary.org/record.jsp?R=182409 http://www.phoenixpubliclibrary.org/record.jsp?R=120572 http://www.phoenixpubliclibrary.org/record.jsp?R=100766 http://www.phoenixpubliclibrary.org/record.jsp?R=113054 An anthology of the works of Kate Greenaway whose books for children were intended to delight rather than instruct. Includes a short biography, critical appraisal of her art and literary craft, and reproductions of better known works such as A Apple Pie, and Kate Greenaway Alphabet. http://www.phoenixpubliclibrary.org/record.jsp?R=226486 http://www.phoenixpubliclibrary.org/record.jsp?R=253112 http://www.phoenixpubliclibrary.org/record.jsp?R=634634 http://www.phoenixpubliclibrary.org/record.jsp?R=172487 http://www.phoenixpubliclibrary.org/record.jsp?R=178438 http://www.phoenixpubliclibrary.org/record.jsp?R=43958