Displaying the top 100 results that match your query. http://www.phoenixpubliclibrary.org/rssapi.jsp?Re=3295&N=3+6368 http://www.phoenixpubliclibrary.org/record.jsp?R=1684504 http://www.phoenixpubliclibrary.org/record.jsp?R=1369137 http://www.phoenixpubliclibrary.org/record.jsp?R=1237685 http://www.phoenixpubliclibrary.org/record.jsp?R=1185324 http://www.phoenixpubliclibrary.org/record.jsp?R=1486577 Written by a professional producer and remixer, this book offers a comprehensive approach to music production, including knowledge of the tools, equipment, and different dance genres. Get more advice and resources from the books official website, http://www.dancemusicproduction.com. Included in the new edition are sections on recording instruments alongside new chapters covering more dance music genres. Examines all aspects of music production, from sound design, compression & effect, to mixing and mastering, to publishing and promoting, to help you become a better producer. The companion CD provides sample and example tracks, demonstrating the techniques used in the book. http://www.phoenixpubliclibrary.org/record.jsp?R=1189338 http://www.phoenixpubliclibrary.org/record.jsp?R=1100217 http://www.phoenixpubliclibrary.org/record.jsp?R=1483811 http://www.phoenixpubliclibrary.org/record.jsp?R=613914 First published in 1987 and now considered a classic, The Recording Angel charts the ways in which the phonograph and its cousins have transformed our culture. In a new Afterword, Evan Eisenberg shows how digital technology, file trading, and other recent developments are accelerating - or reversing - these trends. Influential and provocative, The Recording Angel is required reading for anyone who cares about the effect recording has had - and will have - on our experience of music.--BOOK JACKET. http://www.phoenixpubliclibrary.org/record.jsp?R=92359 Most symphonic instruments were standardized in the eighteenth and nineteenth centuries, but the design of the clarinet is still changing. O. Lee Gibson begins this first complete study of its acoustical principles with a history of the clarinet, a survey of the instruments of famous clarinetists, and the characteristics of the national schools of clarinet manufacture. He then describes the modal frequency ratios of a clarinet and the timbres of its tones, as well as its dynamic range, stability, flexibility, and responsiveness. He stresses that all the dimensions of a wind instrument - length, volume, size, weight, and material - are interrelated. He concludes with a discussion of existing but rarely available mechanical improvements and suggests other acoustical enhancements that have not been fully utilized.--BOOK JACKET. http://www.phoenixpubliclibrary.org/record.jsp?R=46389