Displaying the top 100 results that match your query. http://www.phoenixpubliclibrary.org/rssapi.jsp?id=9090&N=6595+7322&No=40 http://www.phoenixpubliclibrary.org/record.jsp?R=1037817 http://www.phoenixpubliclibrary.org/record.jsp?R=1047168 http://www.phoenixpubliclibrary.org/record.jsp?R=1051323 http://www.phoenixpubliclibrary.org/record.jsp?R=1051731 The Chicago Settee is a chiefs chair back carved in the late nineteenth century by a Haida artist whose identity has long remained unknown. This article details how the Chicago Settee has recently been connected to the name Zacherias Nicholas, and who Zacherias, the Master of the Chicago Settee, really was. http://www.phoenixpubliclibrary.org/record.jsp?R=1189002 http://www.phoenixpubliclibrary.org/record.jsp?R=1017980 http://www.phoenixpubliclibrary.org/record.jsp?R=1051330 The frequently published photographs of Native Americans taken by Edward S. Curtis in the early 20th century have come to embody the proud, the sorrowful, and romantic Indian in the American imaginary. In this article, I explore two alternate venues for the circulation of his images: the 1911 lantern slide picture opera and the photographic archives. In particular, I examine a series of unpublished photographs that Curtis took of George Hunt-- Curtiss and Franz Boass longtime collaborator-- posed as a Kwakwakawakw Hamatsa (Cannibal Dancer). The photographs allowed Curtis to visualize an outdated, rumored-about, and previously secret ritual, while his recontextualization of them in the picture opera momentarily publicized and spectacularized them before they were relegated to the archive. This article critically examines ethnographic photographs as they both construct and obscure cultural realities based on their unique materialities and paths of circulation. It also explores the relationship of performance to such photographs at various moments and suggests that recognition of indigenous agency in the creation of ethnographic images has implications for their later modes of interpretation, expecially by Native people themselves. http://www.phoenixpubliclibrary.org/record.jsp?R=1534269 http://www.phoenixpubliclibrary.org/record.jsp?R=1051372 http://www.phoenixpubliclibrary.org/record.jsp?R=1035462 http://www.phoenixpubliclibrary.org/record.jsp?R=1051360 http://www.phoenixpubliclibrary.org/record.jsp?R=1237929 http://www.phoenixpubliclibrary.org/record.jsp?R=1051320 An invitation to replace Terry Ryan for a few months in 1964 gave a Toronto artist a unique experience, bringing new meaning to his art, new friendships, and new experiences. http://www.phoenixpubliclibrary.org/record.jsp?R=1051358 Ensconced throughout much of the 1980s and 1990s in institutions dedicated to Native art, in recent years Native artists and curators have turned their attention to the opportunities for global visibility afforded by international exhibitions and art fairs, with particular focus on the Venice Biennale. Formerly focused on issues specific to the history of settler colonialism in the United States and Canada-- land, treaty rights, and sovereignty; citizenship and the legal fictions of identity and blood quantum-- the work of Native artists in the 21st century has come to share much with the work of a current generation of itinerant artists active in the international art world. Taking recent Native participation in the Venice Biennale as a case study, this article considers the new global visibility of Native artists and the problematics of going global for Native artists, whose aesthetic authority has been figured as literally grounded specific local landscapes. http://www.phoenixpubliclibrary.org/record.jsp?R=1051692 Changes at the gallery include, not only a new architectural vision, but also the way it presents and thinks about Inuit art. http://www.phoenixpubliclibrary.org/record.jsp?R=1051691 A solo exhibition at the Marion Scott Gallery in Vancouver in Nov. 2008 marks this artists return to the spotlight as one of Canadas leading sculptors. http://www.phoenixpubliclibrary.org/record.jsp?R=889048 A look back at the history of this annual Phoenix event, which celebrates its 50th anniversary this year. Personal stories of long-time Heard Museum market artists and those involved in the events founding and evolution are illustrated with a collection of vintage photos. http://www.phoenixpubliclibrary.org/record.jsp?R=890947 The interview with Scholder was conducted in spring 2002 to discuss Orchids and other flowers, his artistic response to the terrorist attacks of September 11. The collection was then exhibited on the campus of the University of Oklahoma, Norman as Fritz Scholder: recent work. http://www.phoenixpubliclibrary.org/record.jsp?R=890062 Examines the diversity and depth of contemporary Navajo peyote arts by profiling a number of artists and discussing their works. This review of Navajo peyote arts was conducted over the past eight years through fieldwork on the Navajo Nation in New Mexico, Arizona and Utah. http://www.phoenixpubliclibrary.org/record.jsp?R=889600 http://www.phoenixpubliclibrary.org/record.jsp?R=1051391 http://www.phoenixpubliclibrary.org/record.jsp?R=892588 Discusses a collection of Southern Paiute baskets at the Museum of Indian Arts and Culture/Laboratory of Anthropology, Santa Fe, N.M. that was collected by anthropologist Isabel T. Kelly in 1932-1933. http://www.phoenixpubliclibrary.org/record.jsp?R=889601 Discusses the Heard Museums remodeled east entrance which includes the Ben-Horin Garden and a wall mosaic based on D.Y. Begays textile Floating weft. http://www.phoenixpubliclibrary.org/record.jsp?R=766928 http://www.phoenixpubliclibrary.org/record.jsp?R=763657 http://www.phoenixpubliclibrary.org/record.jsp?R=1534329 http://www.phoenixpubliclibrary.org/record.jsp?R=889932 Proposes that Charlie James (Kwakwakawakw) was the first modern Northwest Coast artist, producing works for multiple audiences and furthering this artistic tradition through his role as an educator. http://www.phoenixpubliclibrary.org/record.jsp?R=1534298 http://www.phoenixpubliclibrary.org/record.jsp?R=891197 http://www.phoenixpubliclibrary.org/record.jsp?R=890450 http://www.phoenixpubliclibrary.org/record.jsp?R=889826 Profiles Ojibwa artist Carl Beam (1943-2005) whose mixed-media works employ irony and parody to explore issues of Native identity, European colonization and the appropriation of history. http://www.phoenixpubliclibrary.org/record.jsp?R=890667 http://www.phoenixpubliclibrary.org/record.jsp?R=758403 http://www.phoenixpubliclibrary.org/record.jsp?R=893122 An overview of the subject, the article illustrates some examples of Zuni pottery and describes the history of ancestral pottery types from which later pottery styles descended. http://www.phoenixpubliclibrary.org/record.jsp?R=892875 Highlights the work of Tutchone artist Ukjese van Kampen, who links Athapascan art and geographical locations to European and American works in an attempt to reinstate Tutchone artistic and cultural patterns. http://www.phoenixpubliclibrary.org/record.jsp?R=891965 http://www.phoenixpubliclibrary.org/record.jsp?R=892612 Presents highlights of the pottery collection of the Arizona State Museum, University of Arizona, Tucson, along with sketches of some of the people who contributed to its development. http://www.phoenixpubliclibrary.org/record.jsp?R=892130 Based on research on their recently published book, the authors present an overview of pottery making at Zuni in the 1920s and 1930s, detailing the identifying characteristics of the work of six master potters who can confidently be identified by name. http://www.phoenixpubliclibrary.org/record.jsp?R=751400 http://www.phoenixpubliclibrary.org/record.jsp?R=890913 http://www.phoenixpubliclibrary.org/record.jsp?R=892321 Examines the objects collected by John Maclean, a Methodist minister who worked among and wrote about the Bloods of southern Canada in the late nineteenth century. http://www.phoenixpubliclibrary.org/record.jsp?R=1051727 http://www.phoenixpubliclibrary.org/record.jsp?R=889610 http://www.phoenixpubliclibrary.org/record.jsp?R=1534235 http://www.phoenixpubliclibrary.org/record.jsp?R=889337 http://www.phoenixpubliclibrary.org/record.jsp?R=763056 http://www.phoenixpubliclibrary.org/record.jsp?R=889118 http://www.phoenixpubliclibrary.org/record.jsp?R=890036 Recognizes the life and work of two master artists: jeweler Vernon Haskie (Navajo), winner of the Best of Show award at the 2007 Heard Museum Guild Indian Fair & Market; and bead artisan Roger Amerman (Choctaw), winner of a Best of Class award in 2007 market. Includes details of the upcoming 2008 market. http://www.phoenixpubliclibrary.org/record.jsp?R=968752 http://www.phoenixpubliclibrary.org/record.jsp?R=891457 http://www.phoenixpubliclibrary.org/record.jsp?R=892676 Discusses the history of the Heard Museum Guilds support for Indian student artists including the American Indian Student Art Show, the student art notecard program, the art workshop, and the Student Art Endowment Fund. http://www.phoenixpubliclibrary.org/record.jsp?R=889662 An overview of an exhibit at the New Orleans Museum of Art featuring the collection of Dr. Thomas St. Germain Whitecloud III and his wife Mercedes, one the few collections of Native art amassed by collectors of Native descent. http://www.phoenixpubliclibrary.org/record.jsp?R=890649 http://www.phoenixpubliclibrary.org/record.jsp?R=892629 http://www.phoenixpubliclibrary.org/record.jsp?R=892828 http://www.phoenixpubliclibrary.org/record.jsp?R=891299 Review of Diversity and Dialogue, the 5th Biennial Fellowship Exhibition for Native American Fine Art at the Eiteljorg Museum of American Indians and Western Art in Indianapolis, Indiana, which featured work by Gerald Clarke, Dana Claxton, Sonya Kelliher-Combs, James Luna, Larry McNeil and Will Wilson. http://www.phoenixpubliclibrary.org/record.jsp?R=891740 Surveys the recently opened suite of galleries at the Detroit Institute of Arts, Michigan, which are devoted to the museums large and outstanding collection of Native American art. http://www.phoenixpubliclibrary.org/record.jsp?R=892782 Focuses on two kinds of regalia used in ceremonial practices- dance collars and octopus bags. These objects embody two of the ways in which Tlingit people expressed their shifting engagement with issues of status and power during a period of intense pressure to assimilate. http://www.phoenixpubliclibrary.org/record.jsp?R=890529 Noting that the Northwest Coast culture--perhaps more than any other area of Native North America--identifies itself strongly with earlier artistic traditions, this article details the work of four young artists who, while trained in traditional art, are clearly innovative. http://www.phoenixpubliclibrary.org/record.jsp?R=892162 Surveys the bow-spear (or bow lance) in Plains Indian art and discusses depictions of this weapon on robes as well as in ledger and rock art. http://www.phoenixpubliclibrary.org/record.jsp?R=889490 http://www.phoenixpubliclibrary.org/record.jsp?R=1453952 http://www.phoenixpubliclibrary.org/record.jsp?R=890974 http://www.phoenixpubliclibrary.org/record.jsp?R=890719 http://www.phoenixpubliclibrary.org/record.jsp?R=891904 Introduces an exhibition produced by the National Museum of the American Indian, Smithsonian Institution, George Gustav Heye Center, New York that explores the relationship between Native art and the respresentation of landscape, seen through the work of James Lavadour (Walla Walla), Jeffrey Gibson (Choctaw/Cherokee), Carlos Jacanamijoy (Inga), Emmi Whitehorse (Navajo) and Erica Lord (Inupiaq/Athabaskan). http://www.phoenixpubliclibrary.org/record.jsp?R=891835 Discusses the exhibition Nihi diyogi (our weaving), an exhibition of textiles from the Four Corners region of the Navajo Nation, which opened at Heard Museum North Scottsdale, Ariz. in June 2007. http://www.phoenixpubliclibrary.org/record.jsp?R=892967 Depictions of shield-bearing warriors at the Bear Gulch and Atherton Canyon rock art sites in central Montana are shown wearing unique, long-nosed headdresses. Suggests that these headdresses represent Plains warriors wolf hats, and were an important part of the war regalia of some warriors who created self-portraits at these two sites. http://www.phoenixpubliclibrary.org/record.jsp?R=890639 http://www.phoenixpubliclibrary.org/record.jsp?R=889492 Discusses the exhibition Remix: new modernities in a post Indian world, which opens at the Heard Museum, Phoenix, on Oct. 6, 2007, and travels to the Gustav Heye Center, National Museum of the American Indian, New York, N.Y. http://www.phoenixpubliclibrary.org/record.jsp?R=1534271 http://www.phoenixpubliclibrary.org/record.jsp?R=890782 Focuses on differentiating pottery made at Laguna Pueblo from that made at Acoma Pueblo, in particular, on determining whether a few specific designs were unique to potters working at Laguna around 1900. http://www.phoenixpubliclibrary.org/record.jsp?R=891719 http://www.phoenixpubliclibrary.org/record.jsp?R=893104 Follow-up to the authors earlier article appearing in v. 11, no. 1 of American Indian art magazine; covers the reasons for the decline in the number of Yoeme pascola mask carvers in the Tucson area over the last two decades, and furnishes details about the carvers still working today. http://www.phoenixpubliclibrary.org/record.jsp?R=891255 http://www.phoenixpubliclibrary.org/record.jsp?R=745130 http://www.phoenixpubliclibrary.org/record.jsp?R=890365 http://www.phoenixpubliclibrary.org/record.jsp?R=893019 Drawing on surviving ethnographic records, this article offers some observations about the use of dragonfly symbolism in Cheyenne and Lakota beliefs and art, suggesting that for both groups the dragonfly was reflective of a force greater than themselves for supernatural protection. http://www.phoenixpubliclibrary.org/record.jsp?R=890430 Presents an overview of the exhibition, Premires Nations--Collections Royales, at the new Muse du quai Branly, Paris which illustrates that this museum preserves the singled largest collection in the world of seventeenth- and eighteenth century American Indian artifacts from eastern North America. http://www.phoenixpubliclibrary.org/record.jsp?R=892436 http://www.phoenixpubliclibrary.org/record.jsp?R=719990 http://www.phoenixpubliclibrary.org/record.jsp?R=890745 Surveys Plateau horse masks which, in use by the tribes since the 1600s, have been reserved for use in parades and other celebratory occasions since the reservation area. http://www.phoenixpubliclibrary.org/record.jsp?R=890592 Profiles the Alaska Native artist Sonya Kelliher-Combs, whose paintings, drawings, sewn pieces and installation work not only continue the traditions that define her cultural heritage but also present a contemporary view of the artist and the world. Her cultural background includes Athabascan Indian, Inupiaq Eskimo, German and Irish. http://www.phoenixpubliclibrary.org/record.jsp?R=892197 http://www.phoenixpubliclibrary.org/record.jsp?R=889604 http://www.phoenixpubliclibrary.org/record.jsp?R=1051431 http://www.phoenixpubliclibrary.org/record.jsp?R=891236 http://www.phoenixpubliclibrary.org/record.jsp?R=756972 http://www.phoenixpubliclibrary.org/record.jsp?R=893101 http://www.phoenixpubliclibrary.org/record.jsp?R=893033 http://www.phoenixpubliclibrary.org/record.jsp?R=890346 http://www.phoenixpubliclibrary.org/record.jsp?R=1051274 http://www.phoenixpubliclibrary.org/record.jsp?R=889699 Recounts the history of the Indian Arts Research Center at the School of American Research, Santa Fe, N.M., from its beginnings as a strictly archaeologically based center to its current, broader mandate to better understand the human condition. The School of American Research currently has a new name and logo, the School for Advanced Research on the Human Experience. http://www.phoenixpubliclibrary.org/record.jsp?R=709028 http://www.phoenixpubliclibrary.org/record.jsp?R=889053 http://www.phoenixpubliclibrary.org/record.jsp?R=1534386 http://www.phoenixpubliclibrary.org/record.jsp?R=890458 Arguing that analysis evaluating Native American art must be grounded in the criteria of the artists who make it, the authors explore the way in which Hopi potters create and assess a finished vessel. http://www.phoenixpubliclibrary.org/record.jsp?R=930980 http://www.phoenixpubliclibrary.org/record.jsp?R=891678 Discusses the life and work of Navajo potters Silas and Bertha Claw, whose artistic and commercial success contributed significantly to the popularity of Navajo pottery at the end of the twentieth century. http://www.phoenixpubliclibrary.org/record.jsp?R=820046 http://www.phoenixpubliclibrary.org/record.jsp?R=751404