Displaying the top 100 results that match your query. http://www.phoenixpubliclibrary.org/rssapi.jsp?id=9090&N=6595+7322+4294966064 http://www.phoenixpubliclibrary.org/record.jsp?R=1534297 Provides an overview of the history and highlights of the museums extensive Native American collections, and details the recently completed physical and intellectual transformation of the gallery devoted to these items--which are now presented in artist-centered displays supported by multimedia interactives. http://www.phoenixpubliclibrary.org/record.jsp?R=1534234 The traveling exhibition Art of the American Indians: the Thaw Collection organized by the Fenimore Art Museum in Cooperstown, New York, features 111 aesthetic masterpieces from regions throughout North America. These objects date from well before European contact to the present and illustrate the continuing vitality of American Indian art. http://www.phoenixpubliclibrary.org/record.jsp?R=1534291 A pair of exhibitions at the Riverside Metropolitan Museum in Riverside, California through November 13, 2011 presents two views of Native American art. American Traditional Crafts features items used in daily life, and American Indian Women Artists: Beyond Craft includes contemporary work by Anita Fields (Osage), Paul Courtney Gold (Wasco/Tlingit), Teri Greeves (Kiowa) and Margaret Wood (Din [Navajo]/Seminole). http://www.phoenixpubliclibrary.org/record.jsp?R=1534318 Presents and overview of the Rijksmuseum voor Volkenkunde in Leiden, the Netherlands, which houses approximately 2,600 specimens from American Indians, most collected by Dutch scientists, settlers, travelers and tourists. http://www.phoenixpubliclibrary.org/record.jsp?R=1534366 Discusses the work of Alan Michelson, Zig Jackson, Bob Haozous, James Luna, Jean LaMarr, Jolene Rickard, Faye HeavyShield, Mike Mitchell, Edward Poitras, and Hulleah Tsinhnahjinnie. http://www.phoenixpubliclibrary.org/record.jsp?R=1051358 Ensconced throughout much of the 1980s and 1990s in institutions dedicated to Native art, in recent years Native artists and curators have turned their attention to the opportunities for global visibility afforded by international exhibitions and art fairs, with particular focus on the Venice Biennale. Formerly focused on issues specific to the history of settler colonialism in the United States and Canada-- land, treaty rights, and sovereignty; citizenship and the legal fictions of identity and blood quantum-- the work of Native artists in the 21st century has come to share much with the work of a current generation of itinerant artists active in the international art world. Taking recent Native participation in the Venice Biennale as a case study, this article considers the new global visibility of Native artists and the problematics of going global for Native artists, whose aesthetic authority has been figured as literally grounded specific local landscapes. http://www.phoenixpubliclibrary.org/record.jsp?R=889662 An overview of an exhibit at the New Orleans Museum of Art featuring the collection of Dr. Thomas St. Germain Whitecloud III and his wife Mercedes, one the few collections of Native art amassed by collectors of Native descent. http://www.phoenixpubliclibrary.org/record.jsp?R=890529 Noting that the Northwest Coast culture--perhaps more than any other area of Native North America--identifies itself strongly with earlier artistic traditions, this article details the work of four young artists who, while trained in traditional art, are clearly innovative. http://www.phoenixpubliclibrary.org/record.jsp?R=892162 Surveys the bow-spear (or bow lance) in Plains Indian art and discusses depictions of this weapon on robes as well as in ledger and rock art. http://www.phoenixpubliclibrary.org/record.jsp?R=889610 http://www.phoenixpubliclibrary.org/record.jsp?R=889337 http://www.phoenixpubliclibrary.org/record.jsp?R=891299 Review of Diversity and Dialogue, the 5th Biennial Fellowship Exhibition for Native American Fine Art at the Eiteljorg Museum of American Indians and Western Art in Indianapolis, Indiana, which featured work by Gerald Clarke, Dana Claxton, Sonya Kelliher-Combs, James Luna, Larry McNeil and Will Wilson. http://www.phoenixpubliclibrary.org/record.jsp?R=891740 Surveys the recently opened suite of galleries at the Detroit Institute of Arts, Michigan, which are devoted to the museums large and outstanding collection of Native American art. http://www.phoenixpubliclibrary.org/record.jsp?R=891197 http://www.phoenixpubliclibrary.org/record.jsp?R=1534329 http://www.phoenixpubliclibrary.org/record.jsp?R=890649 http://www.phoenixpubliclibrary.org/record.jsp?R=889492 Discusses the exhibition Remix: new modernities in a post Indian world, which opens at the Heard Museum, Phoenix, on Oct. 6, 2007, and travels to the Gustav Heye Center, National Museum of the American Indian, New York, N.Y. http://www.phoenixpubliclibrary.org/record.jsp?R=891904 Introduces an exhibition produced by the National Museum of the American Indian, Smithsonian Institution, George Gustav Heye Center, New York that explores the relationship between Native art and the respresentation of landscape, seen through the work of James Lavadour (Walla Walla), Jeffrey Gibson (Choctaw/Cherokee), Carlos Jacanamijoy (Inga), Emmi Whitehorse (Navajo) and Erica Lord (Inupiaq/Athabaskan). http://www.phoenixpubliclibrary.org/record.jsp?R=889604 http://www.phoenixpubliclibrary.org/record.jsp?R=891255 http://www.phoenixpubliclibrary.org/record.jsp?R=889699 Recounts the history of the Indian Arts Research Center at the School of American Research, Santa Fe, N.M., from its beginnings as a strictly archaeologically based center to its current, broader mandate to better understand the human condition. The School of American Research currently has a new name and logo, the School for Advanced Research on the Human Experience. http://www.phoenixpubliclibrary.org/record.jsp?R=890499 http://www.phoenixpubliclibrary.org/record.jsp?R=890430 Presents an overview of the exhibition, Premires Nations--Collections Royales, at the new Muse du quai Branly, Paris which illustrates that this museum preserves the singled largest collection in the world of seventeenth- and eighteenth century American Indian artifacts from eastern North America. http://www.phoenixpubliclibrary.org/record.jsp?R=890944 Discusses the exhibition, Intersections: Native American Art in a New Light, held at the Peabody Essex Museum, Salem, Mass., which explores identity, politics and cultural exchange by transcending the boundaries of time and geography, and materials and techniques. The show is comprised of 75 artworks, the majority from North American sources in the museums permanent collections and dating from the 19th century to the present. http://www.phoenixpubliclibrary.org/record.jsp?R=890974 http://www.phoenixpubliclibrary.org/record.jsp?R=892967 Depictions of shield-bearing warriors at the Bear Gulch and Atherton Canyon rock art sites in central Montana are shown wearing unique, long-nosed headdresses. Suggests that these headdresses represent Plains warriors wolf hats, and were an important part of the war regalia of some warriors who created self-portraits at these two sites. http://www.phoenixpubliclibrary.org/record.jsp?R=890365 http://www.phoenixpubliclibrary.org/record.jsp?R=892197 http://www.phoenixpubliclibrary.org/record.jsp?R=892996 http://www.phoenixpubliclibrary.org/record.jsp?R=891903 http://www.phoenixpubliclibrary.org/record.jsp?R=889904 http://www.phoenixpubliclibrary.org/record.jsp?R=891382 http://www.phoenixpubliclibrary.org/record.jsp?R=890776 http://www.phoenixpubliclibrary.org/record.jsp?R=891563 http://www.phoenixpubliclibrary.org/record.jsp?R=892847 Discusses the life and career of the Apache artist Bob Haozous, and suggests that in his work Haozous employs humorous and ironic images in order to draw attention to the boundaries that his art transgresses and to stimulate discussion via symbolic language. http://www.phoenixpubliclibrary.org/record.jsp?R=890348 Review of a series of exhibits at the National Museum of the American Indians George Gustav Heye Center, New York, N.Y. This article, pt. 2, features works by Nora Naranjo-Morse, George Longfish, Shelley Niro, Judith Lowry, Marie Watt, and Jaune Quick-to-See Smith. http://www.phoenixpubliclibrary.org/record.jsp?R=892120 Discusses the histories of various public collections of Native American material in Liverpool, England, by way of introducing the North American collections of the Liverpool Museum which will open a new Native American permanent gallery. http://www.phoenixpubliclibrary.org/record.jsp?R=891645 Reviews the exhibition Native views: influences of modern culture, which includes 71 pieces of contemporary art by 54 Native American artists. The exhibit tours the United States via the countrys rails aboard Artrain USA, a five-car rolling museum. http://www.phoenixpubliclibrary.org/record.jsp?R=891538 http://www.phoenixpubliclibrary.org/record.jsp?R=890777 http://www.phoenixpubliclibrary.org/record.jsp?R=891283 Demonstrates that mail-order curio catalogs in the Southwest and Rocky Mountains document shifting trends in the marketing and collecting of Native American artifacts. http://www.phoenixpubliclibrary.org/record.jsp?R=890000 http://www.phoenixpubliclibrary.org/record.jsp?R=890478 The Frank T. Siebert collection of Native American art, on display at the Abbe Museum, Bar Harbor, Maine, showcases objects collected by Siebert, a medical doctor who worked over a sixty-year period documenting Algonquian languages. http://www.phoenixpubliclibrary.org/record.jsp?R=890347 Review of a series of exhibits at the National Museum of the American Indians George Gustav Heye Center, New York, N.Y. This article, pt. 1, features works by Kay WalkingStick, Rick Bartow, Joe Feddersen, Harry Fonseca, Richard Ray Whitman, and Edgar Heap of Birds (Hock E Aye Vi). http://www.phoenixpubliclibrary.org/record.jsp?R=889518 http://www.phoenixpubliclibrary.org/record.jsp?R=890509 Written in conjunction with the first major exhibition devoted to Native American glass art, Fusing traditions: transformations in glass by Native American artists, which presented glasswork, in a variety of forms, by 18 artists. http://www.phoenixpubliclibrary.org/record.jsp?R=892038 On display at the Florida Museum of Natural History, Gainesville, the Pearsall collection showcases 240 objects, from four geographical areas, collected by Leigh Morgan Pearsall. http://www.phoenixpubliclibrary.org/record.jsp?R=892817 http://www.phoenixpubliclibrary.org/record.jsp?R=892144 Presents an overview of the history of the Peabody Essex Museum, Salem, Mass. and discusses Power and beauty, the first exhibit in the museums new gallery devoted to its Native American collections. http://www.phoenixpubliclibrary.org/record.jsp?R=892876 Overview of the exhibition Uncommon legacies: Native American art from the Peabody Essex Museum, which focuses on objects collected before 1860 by maritime merchants, explorers, soldiers and missionaries. http://www.phoenixpubliclibrary.org/record.jsp?R=892053 http://www.phoenixpubliclibrary.org/record.jsp?R=891334 http://www.phoenixpubliclibrary.org/record.jsp?R=891336 http://www.phoenixpubliclibrary.org/record.jsp?R=892258 http://www.phoenixpubliclibrary.org/record.jsp?R=890339 http://www.phoenixpubliclibrary.org/record.jsp?R=889475 http://www.phoenixpubliclibrary.org/record.jsp?R=890793 http://www.phoenixpubliclibrary.org/record.jsp?R=891335 http://www.phoenixpubliclibrary.org/record.jsp?R=890002 http://www.phoenixpubliclibrary.org/record.jsp?R=890323 http://www.phoenixpubliclibrary.org/record.jsp?R=890641 http://www.phoenixpubliclibrary.org/record.jsp?R=892884 http://www.phoenixpubliclibrary.org/record.jsp?R=891601 http://www.phoenixpubliclibrary.org/record.jsp?R=890246 http://www.phoenixpubliclibrary.org/record.jsp?R=890536 http://www.phoenixpubliclibrary.org/record.jsp?R=892717 http://www.phoenixpubliclibrary.org/record.jsp?R=889229 http://www.phoenixpubliclibrary.org/record.jsp?R=890832 http://www.phoenixpubliclibrary.org/record.jsp?R=891794 http://www.phoenixpubliclibrary.org/record.jsp?R=889595 http://www.phoenixpubliclibrary.org/record.jsp?R=1051642 http://www.phoenixpubliclibrary.org/record.jsp?R=1534314 Details some of the conservation methods needed to ready materials for exhibition, which, now in the permanent collection of the Brooklyn Museum, were collected between 1903 and 1911 by Stewart Culin. http://www.phoenixpubliclibrary.org/record.jsp?R=1534280 Presents an overview of how the objectives and methods of researching Plains Indian art have changed over the years--particularly from the 1890s to the 1930s--and makes some suggestions about research that remains to be done by the upcoming generation of scholars. http://www.phoenixpubliclibrary.org/record.jsp?R=1534306 Illustrates the work of nineteen artists who were selected by the Canadian Museum of Civilization to provide their visual interpretation of the Columbus quincentennial. http://www.phoenixpubliclibrary.org/record.jsp?R=1534354 While not negating their aesthetic appeal, the author suggests that the real importance of Plains pictographic art is as a source of ethnographic information which is sometimes unavailable elsewhere. http://www.phoenixpubliclibrary.org/record.jsp?R=890884 http://www.phoenixpubliclibrary.org/record.jsp?R=889521 http://www.phoenixpubliclibrary.org/record.jsp?R=891772 http://www.phoenixpubliclibrary.org/record.jsp?R=1534361 http://www.phoenixpubliclibrary.org/record.jsp?R=891800 http://www.phoenixpubliclibrary.org/record.jsp?R=891346 http://www.phoenixpubliclibrary.org/record.jsp?R=1051313 Offers a detailed discussion of the use of bird quills by North American Indians of the Upper Mississippi, Upper Missouri and Cree/Athapaskan/Eskimo regions, furnishing information about how example of bird quillwork in these three regions differ. http://www.phoenixpubliclibrary.org/record.jsp?R=891806 http://www.phoenixpubliclibrary.org/record.jsp?R=889119 http://www.phoenixpubliclibrary.org/record.jsp?R=889566 http://www.phoenixpubliclibrary.org/record.jsp?R=1051295 Discusses a series of banners begun in 1972 by a former student of Oscar Howe, the Sioux artist, Arthur Amiotte, focusing on the extent to which the banners integrate the dual worlds of a mainstream contemporary art and Sioux traditions. http://www.phoenixpubliclibrary.org/record.jsp?R=1051359 Suggests that as native ceremonialism has evolved and strengthened over the last decade, the variety of art made for use in native communities has expanded, and that the vitality of contemporary Northwest Coast art can be measured in part by its increasing production for ceremonial use. http://www.phoenixpubliclibrary.org/record.jsp?R=891026 http://www.phoenixpubliclibrary.org/record.jsp?R=891761 http://www.phoenixpubliclibrary.org/record.jsp?R=891513 http://www.phoenixpubliclibrary.org/record.jsp?R=891184 http://www.phoenixpubliclibrary.org/record.jsp?R=990310 Offers some details about six of the items which are included in the Denver Art Museums exhibition, Circles of the world: traditional art of the Plains Indians. The show, drawn primarily from the museums own material, will travel over the next two years, first to European and then other United States museums. http://www.phoenixpubliclibrary.org/record.jsp?R=891345 http://www.phoenixpubliclibrary.org/record.jsp?R=889631 http://www.phoenixpubliclibrary.org/record.jsp?R=890465 http://www.phoenixpubliclibrary.org/record.jsp?R=892772 http://www.phoenixpubliclibrary.org/record.jsp?R=891560 http://www.phoenixpubliclibrary.org/record.jsp?R=891894 http://www.phoenixpubliclibrary.org/record.jsp?R=890643 http://www.phoenixpubliclibrary.org/record.jsp?R=891552